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The Face: Cartography of the VoidBy Chris Abani
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In The Face: Cartography of the Void, acclaimed poet, novelist, and screenwriter Chris Abani has given us a brief memoir that is, in the best tradition of the genre, also an exploration of the very nature of identity. Abani meditates on his own face, beginning with his early childhood that was immersed in the Igbo culture of West Africa. The Face is a lush work of art that teems with original and profound insights into the role of race, culture, and language in fashioning our sense of self. Abani’s writing is poetic, filled with stories, jokes, and reflections that draw readers into his fold; he invites them to explore their own “faces” and the experiences that have shaped them.
As Abani so lovingly puts it, this extended essay contemplates “all the people who have touched my face, slapped it, punched it, kissed it, washed it, shaved it. All of that human contact must leave some trace, some of the need and anger that motivated that touch. This face is softened by it all. Made supple by all the wonder it has beheld, all the kindness, all the generosity of life.” The Face is a gift to be read, re-read, shared, and treasured, from an author at the height of his artistic powers. Abani directs his gaze both inward and out toward the world around him, creating a self-portrait in which readers will also see their own faces reflected.
Abani’s essay is part of a groundbreaking new series from Restless Books called The Face, in which a diverse group of writers takes readers on a guided tour of that most intimate terrain: their own faces. Visit www.restlessbooks.com/the-face-series for more information.
Chris Abani is a novelist, poet, essayist, screenwriter, and playwright. Born in Nigeria to an Igbo father and English mother, he grew up in Afikpo, Nigeria, and has resided in the United States since 2001. His fiction includes The Secret History of Las Vegas, Song For Night, The Virgin of Flames, Becoming Abigail, GraceLand, and Masters of the Board. His poetry collections are Sanctificum, There Are No Names for Red, Feed Me The Sun - Collected Long Poems, Hands Washing Water, Dog Woman, Daphne’s Lot, and Kalakuta Republic.
- Sales Rank: #478212 in eBooks
- Published on: 2015-04-02
- Released on: 2015-04-02
- Format: Kindle eBook
Review
“A fascinating meditation on identity that explores the novelist’s own mixed heritage and mixed feelings….A true citizen of the world….With great insight and compassion, Abani reveals that behind his—and every—face are unseen scars.”
—San Francisco Chronicle
“I devoured it a single sitting. It’s light and easy, and also heavy and thought-provoking. It’s not exactly a memoir, but it’s a moving and funny account of inhabiting what Esi Edugyan calls the ‘yes, but where are you really from?’ question.”
— The New Inquiry
“Chris Abani describes his face as ‘a mixture of two races, of two cultures, of two lineages’ (he was born in Nigeria to an Igbo father and English mother), writing with humor, anguish and acceptance about ancestry and family and ‘wearing’ his father's face.”
— Patricia Hagen, Minneapolis Star Tribune
“This is a man who has seen the darkness in humans and who still [mostly] likes us, who can laugh, make jokes, love others deeply. We feel safe with him, and if he can’t save us when something bad happens, at least we shared something real with another for awhile. Abani writes fiction and poetry—how real and important can that be? Quite real enough to reveal both the dark heart and warm center that most humans harbor.”
—The Bowed Bookshelf
“Chris Abani might be the most courageous writer working right now. There is no subject matter he finds daunting, no challenge he fears. Aside from that, he’s stunningly prolific and writes like an angel. If you want to get at the molten heart of contemporary fiction, Abani is the starting point.”
— Dave Eggers
“Chris Abani is easily one of most important voices in literature today.”
— Warscapes
“What do our faces say about us — and how much of what they say is fair? That’s one of the questions posed by Restless Books’s intriguing new series The Face, in which writers use their own countenances as launchpads into the imaginative stratosphere . . . in Chris Abani‘s Cartography of the Void, part of the series’s inaugural triptych (along with short works by Ruth Ozeki and Tash Aw), we’re not disappointed . . . Can we dismiss the significance of our faces when they bear so strongly the marks of who we were as much as who we are? It could seem like a pessimistic question. But Abani isn’t pessimistic. Seeing his father in himself is troubling but it also opens up a path to understanding. And so it is that he can hope: ‘That my face, and my father’s face, and his father’s face before him will blaze in an unending lineage of light and forgiveness.’”
— Charles Arrowsmith, House of SpeakEasy
“Abani is a force to be reckoned with, a world-class novelist and poet.”
— Russell Banks, author of Lost Memory of Skin
“Abani has the energy, ambition and compassion to create a novel that delineates and illuminates a complicated, dynamic, deeply fractured society.”
— Los Angeles Times
“Abani [is] a fluid, closely observant writer.”
— The Washington Post
“Abani is a fiction writer of mature and bounteous gifts.”
— The New York Times
“A master, a literary shaman.”
— Brad Kessler, author of Birds in Fall
“Abani writes in a fearless prose.”
— Time Out Chicago
About the Author
Chris Abani is a novelist, poet, essayist, screenwriter, and playwright. Born in Nigeria to an Igbo father and English mother, he grew up in Afikpo, Nigeria, received a BA in English from Imo State University, Nigeria, an MA in English, Gender, and Culture from Birkbeck College, University of London, and a PhD in Literature and Creative Writing from the University of Southern California. He has resided in the United States since 2001. His fiction includes The Secret History of Las Vegas, Song For Night, The Virgin of Flames, Becoming Abigail, GraceLand, and Masters of the Board. His poetry collections are Sanctificum, There Are No Names for Red, Feed Me The Sun: Collected Long Poems, Hands Washing Water, Dog Woman, Daphne’s Lot, and Kalakuta Republic. He is the recipient of the PEN USA Freedom-to-Write Award, the Prince Claus Award, a Lannan Literary Fellowship, a California Book Award, a Hurston/Wright Legacy Award, a PEN Beyond the Margins Award, the PEN Hemingway Book Prize, and a Guggenheim Award.
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